Samantha: An American Girl (The American Girls Collection/Boxed Set)

Samantha: An American Girl (The American Girls Collection/Boxed Set) Review


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We purchased "Samantha: An American Girl Doll" book series for our daughter who turned 10. She loves to read and has Samantha as her American Girl Doll. The box is proudly displayed on her book shelf and the books are great stories to be able to pack in a back pack or to read anywhere. She loves them and we love her! The American Girls Collection. This is Samantha. There are 6 books about Samantha and her family and friends.


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Not what was promised - S. Frazier - NC
The item was promised to be in like new condition the box was dirty and very used and the books were in marked used conditiion as it came on Christmas Eve and it was a gift for my Granddaughter we threw away the box and gave her the books. Every other book I have purchased "used" from the Amazon site has been wonderfully as described I won't recommend or use that seller again. Sincerely, S. Frazier



Jul 01, 2010 15:02:05

Our Mutual Friend (Oxford World's Classics)

Our Mutual Friend (Oxford World's Classics) Review


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The works of Charles Dickens fell out of favor for the same reasons they were so much beloved: they are filled with treacly sentimentality and cartoonish characters. Yet, nobody tells a tale quite like this man can and man can this man tell a tale.
This book, with its many twists and turns; violence and death; subterfuge and espionage; lies and deceit; conspiracies and skullduggery; causes one to wish that Mr. Dickens had tried his hand at murder mystery, for this book has all the elements necessary for a pot boiler in that vein.
Yet, this tale as it twists and tangles around the repercussions of a mysterious death, and disappearance of an orphan returned to Merry Old England for to claim his inheritance is really about love, requited and unrequited; loyalty and trust; and friendship and honor.
None of these things come easy in a Dickens novel so it takes some 700 pages for us to discover how all will end. In between time the reader is treated to a page turner inhabited by all manner of creatur each in his own way utterly fascinating or entertaining, and whose parts in this play cause one to stay up reading late in the night from sheer entertainment and a desire to find out what happens next.
Interestingly and thankfully Dickens doesn't turn saccharine until about 4/5's into the book and one is struck by how modern the novel is up to that point. Although one wishes it didn't the book, being by Dickens, inevitably takes a maudlin turn as the tale winds to a close. All is forgiven though for the simple fact that the story is just so darned good that this is a small price to pay for such a great ride.
Suffice it to say that nearly all of the myriad ends that come dangling down in the course of the story get tied, and one closes the book feeling replete. Following his father's death John Harmon returns to London to claim his inheritance, but he finds he is eligible only if he marries Bella Wilfur. To observe her character he assumes another identity and secures work with his father's foreman, Mr Boffin, who is also Bella's guardian. Disguise and concealment play an important role in the novel and individual identity is examined within the wider setting of London life: in the 1860s the city was aflame with spiralling financial speculation while thousands of homeless scratched a living from the detritus of the more fortunate-indeed John Harmon's father has amassed his wealth by recycling waste. This edition includes extensive explanatory notes and significant manuscript variants.


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Our Mutual Friend - Monte S. Mitschele - Holton, KS
The novel is easily readable. It reveals a great deal about English society in the mid-19th Century in and around London.

The novel, by Charles Dickens, reveals a society in early industrialized Briain strugling to meet its Christian and economic responsabilities to the poor, as well as to the 'class assumptions' of a traditionally, and rigidly class-based society.

It deals with the challenges of moral and good people, as well as the 'not so' good and 'not so' moral people, at every station of society, attempting to deal with issues bigotry, poverty, agedness, classism, greed, and sexism.

It has many 'Dickenson-type' off-beat characters that challenge one's patience and touch the heart. It is a great read for anyone.

It has great potential for skilled English teachers at the upper high school levels and incoming freshmen in College, and certainly Graduate school, with the proper critical models for discussion.

It is a long novel, but well worth the money for purchase and the time involved in reading it.





Jun 30, 2010 11:36:25

Fathers and Sons: 11 Great Writers Talk about Their Dads, Their Boys, and What It Means to Be a Man (Esquire Books (Hearst))

Fathers and Sons: 11 Great Writers Talk about Their Dads, Their Boys, and What It Means to Be a Man (Esquire Books (Hearst)) Review


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Fathers and Sons: 11 Great Writers Talk about Their Dads, Their Boys, and What It Means to Be a Man (Esquire Books (Hearst)) Feature

  • ISBN13: 9781588168054
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

“No relationship has more power than the one between a father and a son…whether for good or ill—that relationship molds a man.” – David Granger, Editor-in-Chief, Esquire

 

From Esquire, which has always showcased the world’s finest writers, comes a stunning collection of often moving essays about fatherhood.

Compelling and eloquent, these are some of the magazine’s most emotionally powerful pieces, as eleven award-winning and notable authors reflect on manhood through memories of their own fathers and their personal experience of raising sons. The collection covers everything from birth to death, from the thrilling and terrifying hours Daniel Voll spent in the delivery room during his wife’s long labor to Jake La Motta’s heartbreaking piece about losing his two sons to David Sedaris’s sidesplitting portrait at his father—a food hoarder who once took a bite of his own hat.

 

Includes:

 

TomChiarella’s journey with his two sons to meet Xbox’s most famous Halo gamer and his posse

 

Humorist Larry Doyle on the fearsome “babyproofer” who inspected his house for death traps…and found them everywhere

 

Tom Junod’s gradual realization that his father’s lessons on how to dress like a man were really lessons on life

 

Scott Raab on the lifelong struggle with his tough-guy dad

 

Ron Reagan on his bittersweet victory in a swimming race against his father

 

John Richardson on his father’s controversial career as a covert CIA operative

 

Martha Sherill on her father’s life as a swinging bachelor and the former girlfriends that surface after his death

 

A loving essay from Alec Wilkinson about raising a child with special needs


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Jun 29, 2010 11:28:06

Nick Cave: Meet Me at the Center of the Earth

Nick Cave: Meet Me at the Center of the Earth Review


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Nick Cave is a brilliant artist. Meet Me at the Center of the Earth is the catalog for one of his exhibits. It is a feast for the eyes. Critic Roberta Smith has written about Chicago-based artist Nick Cave, "Whether Nick Cave's efforts qualify as fashion, body art or sculpture, and almost regardless of what you ultimately think of them, they fall squarely under the heading of Must Be Seen to Be Believed..." Meet Me at the Center of the Earth features sculptures that Cave calls Soundsuits, to evoke the sense of movement, rattles and rustles inherent in the design of the pieces-which are composed of manufactured and handmade fabrics, such as beads, sequins, bottle caps, old toys, twigs and hair, and seem poised to explode into ritual dance. Exploring issues of ceremony, ritual, identity and myth, they embrace various traditions, as well as cultural and historical references, from African fetish objects to Japanese Butoh dance.


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Jun 28, 2010 10:49:36

Into The Garden: A Wedding Anthology: Poetry and Prose on Love and Marriage

Into The Garden: A Wedding Anthology: Poetry and Prose on Love and Marriage Review


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I've been asked to officiate a Zen wedding in September, and knowing virtually nothing about Zen, I started looking for some good source material to help me put the ceremony together. I googled Zen wedding and this book came up in the search. I also found some reviews that recommended it for that purpose. INTO THE GARDEN: A WEDDING ANTHOLOGY by Robert Hass and Stephen Mitchell has been, at once, both a disappointment and a pleasant surprise.

My quandary goes something like this; I still don't really know where to start composing a Zen ceremony as this book renders but slight direction in that arena, so my sourcebook search continues. I gleefully did find, however, a book laden with writings and poetry that I am sure to include in ceremonies of a broad scope. This book is one of the finest collections of wedding functional prose I have seen available anywhere. This is followed by a sample script of various types of wedding ceremonies, and yes, there is even a sample Zen wedding ceremony that I am sure I will use some variation of, but the book DOES NOT explain the Zen culture. I guess that's why it shows up on a google search.

If you're planning a wedding, you're sure to find a reading here that fits perfectly with your ceremony. Even if you're not planning a wedding, you will enjoy reading this delightful book.

Pastor Monty Rainey
For brides and grooms who want to give their weddings new depth and meaning, two acclaimed poet-translators have gathered a stunning collection of poems and prose that will add a unique and personal dimension to the ceremony.


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beautiful unusual collection of wedding poetry - Remi B. Bosseau - Melbourne, Australia
Into the Garden is an exquisite collection of very good poetry. It avoids the cliche and the "greeting" card versions of sentiment. These are words from skilled poets and graceful writers. I write marriage ceremonies for many couples in my work so I really appreciate the choices this book offers. It is my favorite along with the Australian classic: Ceremonies and Celebrations by Dally Messenger.

Remi

A very sweet book and a great resource for ceremony planning - H. Rhoades - Santa Monica, CA
This a heartfelt book filled with sweet poetry and writing about love and commitment, and it does this without feeling sappy or unrealistic. The authors/editors have interesting insights of their own, and the book maintained a real sense of joy throughout. I used this to select readings for my upcoming wedding, and I think it contains numerous selections for anyone looking for thoughts about marriage that resonate with real people; it successfully represents modern love for me, straddling the line between practicality and magic.


Jun 27, 2010 08:00:05

Paradise Regained

Paradise Regained Review


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First off, let me say that we're not talking here about the famous Qi gong instructor named John Milton. We're talking about the famous 17th-century English poet who wrote _Paradise Lost_ and _Paradise Regained_, two of the most wonderfully overlong Christian poems in the history of Western literature.

Your English teacher will tell you that _Paradise Lost_ "narrates the story of Adam and Eve's disobedience, explains how and why it happened, and places the story within the larger context of Satan's rebellion and Jesus' resurrection." And you know that can't be far wrong, because SparkNotes says the exact same thing.

But the main reason everyone should read Milton's grand epic is that it contains certain secrets about prayer.

In PL, Milton reminds us how important it is, when we pray, to be absolutely specific. The Lord has a strange, often disturbing, sense of humour (PL, books I-XII). If you leave Him wiggle room, He will answer your prayer in a way you never intended, and then say it was your own damned fault, because your prayer contained seven types of ambiguity.

John Milton writes from experience. Example: Almost every time a good-looking woman passed within view of John Milton, he suffered an involuntary erection. Daniel of the Old Testament might well have suffered such a condition without complaining, but John Milton found it onerous. John was both a Puritan and a student of Saint Augustine. He was not happy when he suffered an erection, he hated it, and he especially resented the women who made that thing happen to him.

In a Latin letter to his friend, George Wither, John Milton reports that, in his youth, he would sometimes see a pretty woman even in his dreams at night, and suffer, not just an erection, but the whole nine yards, up to and including a nocturnal emission; which he trained himself to handle according to Scripture, thereby to purify himself (Deut. 23:10); but sometimes he was unable to wait that long before he handled it, which filled his soul full of Puritan remorse and self-reproach.

At age 33, the poet took to wife a 16-year-old lolita named Mary Powell; and you may already have guessed the reason why, which is that she gave him an erection -- more accurately, she gave him "one damned erection after another," without remission. (Giving John Milton an erection was not the girl's conscious intent, but it just happened to him, every time they met.) And since Christian marriage is Saint Paul's only approved method whereby to deal with that kind of torment, John Milton (being an honourable man) thought it best to marry the girl (1 Cor. 7:9).

Frailty, thy name is woman! After two years of marriage - after just two years of witnessing those insufferable erections that could not be beaten down, or at least, not for long - the poet's young Puritan bride ran away and skipped back home to live with her mother, Mrs. Anne Powell, who likewise gave John an erection; which is why John Milton resented his mother-in-law as well as his estranged wife.

Those were the hardest years of the poet's life - nothing but a daily struggle against involuntary erections, yet here he was, trapped in a loveless marriage to a barely pubescent teenager who lived with her entirely-too-attractive mother. Which is partly why John Milton wrote those four revolutionary Christian pamphlets, correcting Moses' and Jesus' hardline policy on divorce (Mark 10:11-12).

In his Latin correspondence, some of which is preserved in the Bodleian Library, John Milton reports that he was fine when alone in his study, or when hobnobbing with Parliamentarians, or even when having a hasty pudding, or a figgy one, over at the Inns of Court; but let just one good-looker cross his path, showing good ankle between the hem of her dress and the top of her shoe, and it was boing! - instant erection, just like a spring-loaded mechanical device; causing John to exclaim bitterly, "Oh, God, please, not again! Save me from this penal fire!"

It even happened to him once when Oliver Cromwell's wife, Elizabeth Bourchier Cromwell, bent over to pick up a handkerchief that had fallen to the floor. On that occasion there was a lamentable accident ("an hard mishap" [verbatim quote]) with John's ordinarily modest codpiece - an incident so humiliating that John never even wrote a poem about it, although he did apologise, profusely, to Oliver Cromwell, and to Mrs. Cromwell, who saw the whole thing, and then fainted. (John at the time was employed as Cromwell's Latin secretary.)

By the way: It was modesty, not arrogance, that moved John Milton, after that embarrassing incident, to wear a baggy codpiece, with plenty of wiggle room.

Which brings me back to the beginning, when I was explaining why you should give the Lord no wiggle room when you pray: John Milton took his problem to the Lord in prayer, stating in his journal, "Father, I pray Thee, let me not suffer a stiffe joynt when I see a beautifull woman."

And here's how the Lord answered that prayer, in 1651: He struck John Milton blind.

At first, John thought that his blindness was a punishment for his own bad behaviour - which is how that whole thing got going, in Anglo-American Christianity, about how, if you are a boy who does what John Milton used to do, it could make you go blind. But God revealed to John, by means of a dream, that his blindness was actually an answer to his own prayers ¬- because the poet had said, "Father, let me not suffer a stiff joint when I see a beautiful woman."

John Milton then said, "Lord, that is not what I meant, at all" - but it was too late to change the outcome, because the prayer was already answered.

The erections that John Milton suffered in the years 1651-1674, and there were many, even after the Lord answered his prayer, were not from seeing a beautiful woman, it was actually because John had a condition that modern physicians call PSAS ("Persistent Sexual Arousal Syndrome"). So the chronic "stiffe joynt" problem was not really the women's fault, and it never was; but John Milton never knew that. Even when he wrote Paradise Lost (by dictation, from 1652-1667), John was still under the impression that women, seen or unseen, were to blame for his condition; which is why he makes all of those snide remarks in blank verse about your mother, Eve, in Books IV-V and IX-X of Paradise Lost. Because whenever he pictured Eve in his mind's eye, it was boing! - the same old problem. And there would come no more blank verse to his head for the next twenty minutes or so, until things settled down. John Milton hated that.

But it all turned out for the best: if God had not answered John Milton's prayer in that unusual way, by blinding him, Paradise Lost might never have been completed, and sold to the publisher, Sam Simmons, in 1667, for £5 - which was a tidy sum for a religious poem during the decadent Restoration era.

It was while writing the early books of Paradise Lost that John was introduced to Katherine, a ship captain's daughter, a fat woman whom he had never seen (because he was blind); whom he nonetheless married in 1656, but not for the same old reason as before: John asked fat Kate to marry him (a.) because he needed secretarial assistance with Paradise Lost, and (b.) because Katherine did not have the same pernicious effect on him as Mary Powell and her mother Anne had done. John could dictate blank verse to Kate all night long without feeling so much as a tingle down there.

Kate's surname was Woodcock. Beelzebub made a little joke about that: he said, "The Lord finally gave John Milton just what he always wanted."

- L. Here in one volume are the complete texts of two of the greatest epic poems in English literature, each a profound exploration of the moral problems of God's justice. They demonstrate Milton's genius for classicism and innovation, narrative and drama-and are a grand example of what Samuel Johnson called his "peculiar power to astonish."

Edited by Christopher Ricks
With a New Introduction by Dr. Susanne Woods


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Excellent choice - A. Gift Debit Visa - Lompoc, CA USA
I really chose a good book to read for my english class. What is more awesome is that this book came really fast. And in excellent condition!

Nicely done - J. Calhoun - Worthington, OH USA
Very easy to read printing of Paradise Regained, in contrast to everything else I've seen.


Jun 26, 2010 03:10:06

Utopia

Utopia Review


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This is an astonishing work - given that it was written five hundred years ago by Thomas More, a rich Catholic and later Lord Chancellor.

Thomas More begins his tale autobiographically and relates how he meets a traveler called Raphael who is highly educated in Greek language and literature (who is, in other words, a humanist). The rest of the short book consists mainly of Raphael's discourse about the island of Utopia, which is Greek for "no place" (though it might also be a pun for "good place").

Utopia is a country without private ownership and many other features that stood in stark contrast to More's England of the time - and, in fact, to the Catholic Church. In that way the book can be seen as a (sometimes tongue-in-cheek) critique of early 16th-century society. Utopia is truly "no place": a place that does not and will never exist. It is, instead, a literary device for More to challenge his own culture.

These challenges include the way slavery was conducted, the greedy obsession with gold and the oppression of the poor, the complicatedness of the judicial system, religious intolerance, etc. Coming from a rich Catholic lawyer, this truly is astonishing: a satire about the establishment written by someone inside the establishment itself.

Consider this description of religious tolerance, for instance:

"He judged it not fit to determine anything rashly; and seemed to doubt whether those different forms of religion might not all come from God, who might inspire man in a different manner, and be pleased with this variety; he therefore thought it indecent and foolish for any man to threaten and terrify another to make him believe what did not appear to him to be true. And supposing that only one religion was really true, and the rest false, he imagined that the native force of truth would at last break forth and shine bright, if supported only by the strength of argument, and attended to with a gentle and unprejudiced mind; while, on the other hand, if such debates were carried on with violence and tumults, as the most wicked are always the most obstinate, so the best and most holy religion might be choked with superstition, as corn is with briars and thorns; he therefore left men wholly to their liberty, that they might be free to believe as they should see cause."

It should be pointed out, however, that other high churchmen prior to More had voiced similar open-mindedness, such as Nikolaus von Kues (1401-1464). So perhaps such tolerant sentiments were not as astonishing at the time as we might think.

But the method More uses to convey his points is certainly very early for its type. I almost felt that the book anticipated Swift's "Gulliver's Travels," written a bit more than a century later, in which society is likewise being challenged by painting a picture of radically different places.

Which is not to say that "Utopia" is revolutionary on every point. At times the book does affirm a very strict morality, such as state-inflicted punishment for extramarital sex, and it certainly affirms religion as such and obedience to the priesthood. At other times, "Utopia" is quite amusing, such as the following passage about picking one's spouse, with which I shall close this review:

"In choosing their wives they use a method that would appear to us very absurd and ridiculous, but it is constantly observed among them, and is accounted perfectly consistent with wisdom. Before marriage some grave matron presents the bride, naked, whether she is a virgin or a widow, to the bridegroom, and after that some grave man presents the bridegroom, naked, to the bride.

"We, indeed, both laughed at this, and condemned it as very indecent. But they, on the other hand, wondered at the folly of the men of all other nations, who, if they are but to buy a horse of a small value, are so cautious that they will see every part of him, and take off both his saddle and all his other tackle, that there may be no secret ulcer hid under any of them, and that yet in the choice of a wife, on which depends the happiness or unhappiness of the rest of his life, a man should venture upon trust, and only see about a handsbreadth of the face, all the rest of the body being covered, under which may lie hid what may be contagious as well as loathsome.

"All men are not so wise as to choose a woman only for her good qualities, and even wise men consider the body as that which adds not a little to the mind, and it is certain there may be some such deformity covered with clothes as may totally alienate a man from his wife, when it is too late to part with her; if such a thing is discovered after marriage a man has no remedy but patience; they, therefore, think it is reasonable that there should be good provision made against such mischievous frauds." Thomas More's "Utopia" is one of the most influential books in western literature. Within "Utopia" is described an idealized island community upon which perfect social harmony has been achieved. On this island all property is community owned, violence is nonexistent and everyone has the opportunity to work and live in an environment of religious tolerance. Many social movements throughout history have drawn upon More's work for inspiration. While possibly unachievable Thomas More's "Utopia" gives a vision of what could be.


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Great book - Aisha Mohammed - Atlanta,GA
This book depicts a great view about the question I have always oindered about a world so scerene so perfect. This book gives us hope. Moreso I fasntsy view of what Utopia really is. Great book for those who have always fathomed a utopic world.

Utopia - Christine A. Paulan - Sandwich, IL
I received this book in a timely manner and in excellent condition. Thank you.


Jun 19, 2010 03:56:05

Rio de Janeiro

Rio de Janeiro Review


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Brazil has always been in the news for a number of its qualities, one of which is its unabashed sexuality. Just listen to a friend who has been to Rio, or thumb through Mario Testino's //Mario De Janeiro Testino//, and all of this is instantly confirmed. In fact, because of the oozing sensuality you'll see and "experience" in Testino's book, you might even be inspired to want to go down there yourself.

While many have been inspired by Brazil's Rio de Janeiro--Paul Gauguin and Cole Porter among them--this city is not without its detractors. And yet, there is much beauty to be photographed, if only one knows where to point the camera. In this case, Testino does more than what the others have done. With his pictures, he has captured the city's essential inner being.

How did he do it? And what made him able to take such effervescent pictures of Rio de Janeiro? Testino isn't exactly a visitor. He had become a "carioca" long before he became the worldwide celebrity photographer that he is now. As Caetano Veloso says in the forward: "The impression left by Mario's photographs of Rio is that of a complex, rich and multilayered love, overflowing with intimacy and the lucidity of dreams brought to life."

Reviewed by Dominique James Inspired by the girls from Copacabana



Mario Testino
is one of the world's most successful fashion and portrait photographers, whose images are noted for their freshness and intimacy. Peruvian by birth, Testino has been fascinated by Rio de Janeiro since his earliest summer vacations. When I was 14, on holiday, and going from my house to the beach and seeing everyone walk everywhere in their tiny bathing suits the girls and boys were so sexy and carefree and wild I just could not believe it. This easy sensuality, sexual freedom and lust for life left a deep impression; Testino has been going back ever since, for work and fun, passion and inspiration. Featuring candid shots of exquisite cariocas baring nubile flesh, including supermodel Gisele Bundchen, MaRIO DE JANEIRO Testino captures the essence of this incomparably seductive city and its sultry citizens. From its breathtaking sunset panoramas, to the throbbing chaos of its world-famous carnival, this is Testino s love poem to the Brazilian metropolis that captured his teenage heart, and never let go.


Features include:
Foreword by songwriter and singer Caetano Veloso

Introduction by actress/TV personality Regina Case

Essay by supermodel Gisele Bundchen

Softcover with plastic jacket for beach reading available in yellow, orange or red, inspired by Rio s glorious sunsets!


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Excelent work! - Fernando Herrera - Mexico City
This book resume all the brazilian spirit. Mario Testino is an excellent photographer and you could admire his work in this title. Very recommended.


Jun 14, 2010 09:56:09

Roadside Relics: America's Abandoned Automobiles

Roadside Relics: America's Abandoned Automobiles Review


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There are quite a few books (and especially calendars) that are devoted to presenting photographs of clunkers along the American backroads. This effort is especially rewarding and worth reading because it is organized very well by automobile year, make and model with really great commentary on each photographed vehicle. A really great nostalgia trip for those of us who love old cars. My favorite part of the book was the realization that I've seen a few of these cars and have been to a few of the locations "in person". I am not quite sure if this sort of book would appeal to most folks...but if the reader is an old car nut...there is no better book for my money. Really great fun and a wonderful conversation starter amongst other old car gearheads.

Roadside Relics: America's Abandoned Automobiles Feature

Abandoned junk to some, the rusty old steel shells of vehicles are treasures to others, holding memories of a bygone era, or the promise of a pristinely restored, radically customized automobile. Automotive photographer Will Shiers has captured these dreams on film for over ten years, and this volume collects his images between two covers for the first time. Here are the beautiful husks Shiers has found in the United States fields and barns, shops, and salvage yards across States. Divided into five categories—General Motors, Ford, Chrysler, Independents, and Special Vehicles—these wrecks and relics from 1910 to the 1970s come equipped with all the relevant information: history, model, location. And because few salvage yards today keep anything older than a 1980 vintage, many of these cars have been lost to the metal crusher. The most comprehensive and beautifully photographed collection of abandoned cars ever published, this volume preserves for all time the exquisite skeletons of American automotive might.


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roadside relics - Emmanuel Vella - australia
great colour pictures and enjoyed reading it 3 times already, is there a part 2


Great! Pictures - T. Henderson - Easton, MD
Awesome book, Great Pictures. Made me want to go out west and hunt some of these vehicles down.


Jun 03, 2010 19:58:04